yuffie kisaragi

Inmou, an emerging term in various fandoms, is often used to describe niche interests and deep connections with specific cultures. It highlights how online subcultures have evolved, becoming integral parts of digital communities.

Towards the middle of the semester, Mrs. B. devised an assignment where we had to act out a soliloquy from any Shakespeare play. I chose Marc Antony’s “Friends, Romans, Countrymen” speech from Julius Caesar. As we had to be in costume for extra credit, I brought a flat sheet to school to fashion into a toga of sorts. There was a supply closet in the front of the room where people could change. Boys would pretend to peek in the closet when girls were changing. There wasn’t much to see for the most part, as girls might throw a long night gown over their clothes to play Juliet. The door locked on the outside when closed completely, so the few kids with major changes could do so with some privacy.

“All I ever wanted was to change the world, to make it a better place where the weak wouldn’t be stepped on and enslaved, where freedom was a right instead of a privilege. I pushed myself, I struggled, I suffered, all for that goal, and survival is the best I could accomplish? If I have to focus only on survival, to be grateful just for staying alive, then how am I supposed to change anything? How am I any different from those who do nothing to fix this broken, corrupt reality?”