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Towards the middle of the semester, Mrs. B. devised an assignment where we had to act out a soliloquy from any Shakespeare play. I chose Marc Antony’s “Friends, Romans, Countrymen” speech from Julius Caesar. As we had to be in costume for extra credit, I brought a flat sheet to school to fashion into a toga of sorts. There was a supply closet in the front of the room where people could change. Boys would pretend to peek in the closet when girls were changing. There wasn’t much to see for the most part, as girls might throw a long night gown over their clothes to play Juliet. The door locked on the outside when closed completely, so the few kids with major changes could do so with some privacy.

Their movements were rapid and well-practiced, displaying years of training to hone their martial arts. They did their best to avoid touching each other’s hands, but contact was inevitable, each having to negate the other’s attack. Every time their hands met, jets of steam and smoke would hiss from the contact, with Falco’s water coming to a boil, and Viktor’s flesh threatening to crack from the quenching.

Seraph circled Phune, avoiding the mage’s attacks while replying with blasts of holy energy. They were small and weak bursts, as Seraph had little mana to spare, and were meant to distract more than harm, at least long enough for him to get in close and land a hit with his mace. That said, Phune wouldn’t have made it this far in the tournament if he could be defeated by such rudimentary tactics. He was quick on his feet, able to dodge with great skill and summon water barriers to block Seraph’s magic. Seraph was being kept at a distance, and getting in too close without a proper opening would be suicide.