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Towards the middle of the semester, Mrs. B. devised an assignment where we had to act out a soliloquy from any Shakespeare play. I chose Marc Antony’s “Friends, Romans, Countrymen” speech from Julius Caesar. As we had to be in costume for extra credit, I brought a flat sheet to school to fashion into a toga of sorts. There was a supply closet in the front of the room where people could change. Boys would pretend to peek in the closet when girls were changing. There wasn’t much to see for the most part, as girls might throw a long night gown over their clothes to play Juliet. The door locked on the outside when closed completely, so the few kids with major changes could do so with some privacy.

Abner charged towards Reiss, and this time, Noah kept his distance. Assuming a combat stance, Reiss punched the open space, releasing a powerful shockwave from his fist. It was wind magic, solidifying the air with mana so that it hit Abner like a charging bull. He was knocked off his feet, flipping like a coin before taking a hard landing. After a blow like that, it was understandable that he had difficulties getting up.

Abner drew his sword, and the blade glowed with searing intensity as a sheath of lightning enveloped it. Applying elemental energy to one’s weapon was basic magic, akin to dousing a blade in oil and lighting it on fire, but this was the next stage, the true combination of warrior and elemental magic, more like a white-hot sword pulled out of a forge. It reminded Noah of plasma weapons he had used in the past, capable of cutting through steel like butter, and Aithorn’s spear techniques.