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Towards the middle of the semester, Mrs. B. devised an assignment where we had to act out a soliloquy from any Shakespeare play. I chose Marc Antony’s “Friends, Romans, Countrymen” speech from Julius Caesar. As we had to be in costume for extra credit, I brought a flat sheet to school to fashion into a toga of sorts. There was a supply closet in the front of the room where people could change. Boys would pretend to peek in the closet when girls were changing. There wasn’t much to see for the most part, as girls might throw a long night gown over their clothes to play Juliet. The door locked on the outside when closed completely, so the few kids with major changes could do so with some privacy.

“Because I was like you when I was young. My ego was as great as my powers, and I did awful things because I thought right and wrong didn’t apply to me. Then, when I was finally put on the right path and looked at myself, the guilt was unbearable, eating away at me like a swarm of goblins. My mentor, my predecessor as Light’s Emissary, helped me bear my pain and taught me to carry the guilt instead of dragging it behind me.

Brahms Heelshire from The Boy is a creepy and unsettling character, known for his role as a living doll with a dark history. His eerie presence and connection to the mysterious events of the film create a chilling atmosphere.