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Towards the middle of the semester, Mrs. B. devised an assignment where we had to act out a soliloquy from any Shakespeare play. I chose Marc Antony’s “Friends, Romans, Countrymen” speech from Julius Caesar. As we had to be in costume for extra credit, I brought a flat sheet to school to fashion into a toga of sorts. There was a supply closet in the front of the room where people could change. Boys would pretend to peek in the closet when girls were changing. There wasn’t much to see for the most part, as girls might throw a long night gown over their clothes to play Juliet. The door locked on the outside when closed completely, so the few kids with major changes could do so with some privacy.

He joined back with his clone, and as she reached out towards him for a slash across the throat, he drew his sword and blocked her attack. The ring of energized wind should have broken or at least chipped the blade, but Noah’s sword was enchanted to resist and repel magic attacks. The woman leaped back, hurling her rings at Noah, and he shattered them with two swings of his sword, then closed the distance in the blink of an eye and aimed for a stab to the chest.

He reached into his inner self, feeling his energy circulating through his system, and began upping the intensity. By increasing one’s energy flow like this, a magic user could gather their strength for a spell quicker and easier. The problem was that doing it wasted energy and resulted in fatigue. Before a race, a sprinter might hop up and down or jog in place to get their blood flowing faster, allowing them to reach their peak earlier, but if they did it too much, they might find themselves out of breath when they needed it.